Over the last several decades, fan cultures and the general belief regarding them has changed dramatically. During that time, we have seen the public consensus on fan and fandom go from sad losers playing Dungeons & Dragons in their parent’s basement to, thanks to Disney, a marked increase in the popularity of sports, the MCU, and other mediated properties, the idea that fandom is for everyone and everyone is a fan of something. This expanding shift in understanding the relationship between spectators and the objects they consume has allowed fans and fandoms, early adopters of Web 2.0 applications and social media, to gain greater social, economic, and political capitol in a mediated world increasingly determined by the discourse and logics of digital culture. From the Alt-Right to K-Pop fans, Bernie Bros. to Trumpers, fans are now significant power brokers in the development, production, and reproduction of US ideology and culture. This class examines fans, fan studies, objects of fandom, and fan works with a goal toward understanding the political, economic, and cultural implications of existing both within and in opposition to fan cultures. Students will read, analyze, and perform fan behaviors and activities such as fan fiction, fan vidding, hashtagging, and meme production, while also examining how issues of race, gender, sexual identity, class, and nationality impact broader habits of media consumption and identity formation.